What image should I use?

A PNG with a transparent background. A JPEG will bring its own rectangle of white or black onto the footage with it.

Can the mark be taken off afterwards?

Not from the finished file. The original pixels underneath are gone. That permanence is the reason the tool exists.

Can it move around the frame?

No, it stays where you put it for the whole clip. A moving mark is harder to crop out, but it needs a timeline editor to produce.

Where should I put it?

Away from wherever the destination puts its own interface. For anything vertical, that usually means avoiding the very bottom of the frame.

Add Image to Video

Place a logo or watermark on every frame.

Everything runs inside your browser. Your files never leave your device.

Drop your files here

.mp4, .m4v, .mov, .webm, .mkv, .png, .jpg, .jpeg, .webp, .gif, .svg · they stay on this device

Ask about Add Image to Video

Questions about what this tool does, which option to pick, or what it can and cannot handle.

This is the one part of the site that uses a server. The question you type here is sent to an AI provider to be answered — your files and whatever you put in the tool above are not, and the assistant cannot see them. Answers are generated and can be wrong; the tool itself is not guessing.

About the Add Image to Video

A logo drawn onto the frames of a video travels with it. It survives being downloaded, re-uploaded, compressed by a platform, screen-recorded and sent on again, because at that point it is no longer a mark on the video — it is part of the picture.

That durability is the reason to do it and the reason to think first. Photographers, agencies and course-makers put a mark on preview footage precisely because it cannot be lifted off. A tutorial with a channel name in the corner keeps its attribution through however many re-posts follow. Draft footage sent for approval carries a "not for release" mark that no reviewer can mislay.

Placement matters more than people expect. Bottom right is the convention and is the default, but on video destined for a phone-shaped feed the bottom of the frame is where platform interfaces live — captions, buttons, usernames — and a mark placed there is buried under them. Bottom left or top right survives that better. The margin control exists for the same reason.

Opacity at eighty-five per cent is the default rather than full strength because a solid logo competes with the footage. Between sixty and eighty is where a mark reads clearly without dominating; below forty it becomes decorative and stops doing its job. Width is set as a share of the frame, so twenty per cent means a fifth of the picture's width whatever the resolution, and a PNG with a transparent background sits on the footage properly rather than in a white box.

Two files go in: the video first, then the image. Every frame is redrawn with the mark on it, which means the whole video is encoded again — there is no way to draw on a picture without rebuilding it.

How to use it

1Add two files — the video, then the logo or watermark image.
2Choose a corner, and consider which parts of the frame a platform will cover with its own interface.
3Set the width as a share of the frame and lower the opacity until it reads without shouting.
4Run it and watch a bright section to check the mark still shows.

Questions

What image should I use?: A PNG with a transparent background. A JPEG will bring its own rectangle of white or black onto the footage with it.
Can the mark be taken off afterwards?: Not from the finished file. The original pixels underneath are gone. That permanence is the reason the tool exists.
Can it move around the frame?: No, it stays where you put it for the whole clip. A moving mark is harder to crop out, but it needs a timeline editor to produce.
Where should I put it?: Away from wherever the destination puts its own interface. For anything vertical, that usually means avoiding the very bottom of the frame.